Benjamin, Walter. “Unpacking My Library: A Talk about Book Collecting.” 1955. Trans. Harry Zohn. Illuminations: Essays and Reflections. Ed. Hannah Arendt. New York: Schocken Books, 1968. 59-68.
I am unpacking my library. Yes, I am. The books are not yet on the shelves, not yet touched by the mild boredom of order. 59
For such a man is speaking to you, and on closer scrutiny he proves to be speaking only about himself. 59
You have all heard of people whom the loss of their books has turned into invalids, or of those who in order to acquire them became criminals. 60
Thus there is in the life of a collector a dialectical tension between the poles of disorder and order. Naturally, his existence is tied to many other things as well: to a very mysterious relationship to ownership, something about which we shall have more to say later; also, to a relationship to objects which does not emphasize their functional, utilitarian value—that is, their usefulness—but studies and loves them as the scene, the stage, of their fate. The most profound enchantment for the collector is the locking of individual items within a magic circle in which they are fixed as the final thrill, the thrill of acquisition, passes over them. Everything remembered and thought, everything conscious, becomes the pedestal, the frame, the base, the lock of his ownership—for a true collector the whole background of an item adds up to a magic encyclopedia whose quintessence is the fate of his object. In this circumscribed area, then, it may be surmised how the great physiognomists—and collectors are the physiognomists of the world of objects—turn into interpreters of fate. One has only to watch a collector handle the objects in his glass case. As he holds them in his hands, he seems to be seeing through them into their distant past as though inspired. So much for the magical side of the collector—his old-age image, I might call it. 60-61
Of all the ways of acquiring books, writing them oneself is regarded as the most praiseworthy method. 61
Writers are really people who write books not because they are poor, but because they are dissatisfied with the books which they could buy but do not like. 61
Of the customary modes of acquisition, the one most appropriate to a collector would be the borrowing of a book with its attendant non-returning. The book borrower of real stature whom we envisage here proves himself to be an inveterate collector of books not so much by the fervor with which he guards his borrowed treasures and by the deaf ear which he turns to all reminders from the everyday world of legality as by his failure to read these books. If my experience may serve as evidence, a man is more likely to return a borrowed book upon occasion than to read it. And the non-reading of books, you will object, should be characteristic of collectors? This is news to me, you may say. It is not news at all. Experts will bear me out when I say that it is the oldest thing in the world. Suffice it to quote the answer which Anatole France gave to a philistine who admired his library and then finished with the standard question, “And you have read all these books, Monsieur France?” “Not one-tenth of them. I don’t suppose you use your Sèvres china every day?” 62
I have made my most memorable purchases on trips, as a transient. Property and possession belong to the tactical sphere. Collectors are people with a tactical instinct; their experience teaches them that when they capture a strange city, the smallest antique shop can be a fortress, the most remote stationary store a key position. How man cities have revealed themselves to me in the marches I undertook in the pursuit of books! 63
A man who wishes to participate at an auction must pay equal attention to the book and to his competitors, in addition to keeping a cool enough head to avoid being carried away in the competition. It is a frequent occurrence that someone gets stuck with a high purchase price because he kept raising his bid—more to assert himself than to acquire the book. One the other hand, one of the finest memories of a collector is the moment when he rescued a book to which he might never have given a thought, much less a wishful look, because he found it lonely and abandoned on the market place and bought it to give it its freedom—the way the prince bought a beautiful slave girl in The Arabian Nights. To a book collector, you see, the true freedom of all books is somewhere on his shelves. 64
There is no living library that does not harbor a number of booklike creations from fringe areas. They need not be stick-in albums or family albums, autograph books or portfolios containing pamphlets or religious tracts; some people become attached to leaflets and prospectuses, others to handwriting facsimiles or typewritten copies of unobtainable books; and certainly periodicals can form the prismatic fringes of a library. 66
O bliss of the collector, bliss of the man of leisure! Of no one has less been expected, and no one has a greater sense of well-being than the man who has been able to carry on his disreputable existence in the mask of Spitzweg’s “Bookwork.” For inside him there are spirits, or at least little genii, which have seen to it that for a collector—and I mean a real collector, a collector as he ought to be—ownership is the most intimate relationship that one can have to objects. Not that they come alive in him; it is he who lives in them. So I have erected one of his dwellings, with books as the building stones, before you, and how he is going to disappear inside, as is only fitting. 67
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